Weekend Walks in January

I started the year by ringing in 2014 in Times Square. It was great to be there with my family and welcome the new year in the middle of the city that I love.

As I've done in the past years, I walked on weekends, usually in Central Park. Here are my favorite pictures taken during my walks in January.

New York City had its first snow of the year on January 3 so when I walked in Central Park the first weekend of 2014, the park looked like a winter wonderland.

The kids and the young at heart had a great time sledding in the park.

Even Alice and friends were playing in the snow.

When I reached The Reservoir, it looked like a mirror with its frozen waters reflecting the sky above.

The following day, Sunday, I visited Brookfield Place. I was also in the area during the Canstruction Exhibit last year. The light fixtures of the place looked great, especially at night.

I also passed by the pedestrian pathway which opened just last October, the WTC West Concourse which leads to the WTC Transportation hub.

There was no snow the following weekend but it was a foggy day in Central Park. The mist definitely added to the park's charms that day.

At the Harlem Meer, the mist was easily seen rising out of the frozen waters.

Light mist was also swirling around the waterfall area inside The Loch. I love it here, it's so peaceful and beautiful.

The following day I had a short walk in Battery Park. It's always a pleasure to watch the day end and see Lady Liberty across the New York harbor illuminated by the sunset colors.

Battery Park is currently undergoing renovations but I was surprised to see that The Sphere has been moved to another location. This time, it was placed near the Korean War Memorial which is located at the west end of the park. The new location has allowed visitors to view the memorial and the Sphere with One World Trade Center, rising tall just several blocks away.

After Battery Park, I proceeded to Brooklyn Bridge Park to take some night time pictures of lower Manhattan. Ah, New York, you always look pretty at night with all the lights.

Brooklyn Bridge Park has also a great view of the Manhattan Bridge. It was shining brightly that night, the lights reflecting on the water looked like jewels.

Central Park celebrated its third Ice Festival on January 18. This time it was held at the Bethesda Terrace where the Okamoto Studio carved a scaled ice version of the Angel of the Waters.

Last year the festival was held at the Belvedere Castle and a scaled castle in ice was the main attraction.

On my way home from the Ice Festival, I passed by Bow Bridge, it looked so pretty with the colorful sky above.

The following day I dropped by Roosevelt Island for a short visit. The sun was starting to set when I neared the southern end of the island where the Four Freedoms Park is located. It was cool to see the sun "set" on the buildings of Manhattan across the East River.

At the other side of the East River facing Queens, the iconic Pepsi sign along Long Island City's waterfront stand among the new buildings in the area. When I was in the island last spring the building at the back of the sign was just several stories high, its lower eight floors were recessed 12 feet to keep them 45 feet distant from the back of the sign.

The linden trees at the Four Freedoms Park were all leafless but they still stand guard over FDR's huge bust at the center of the park. I can see One World Trade Center peeking at the right side of the picture.

It was already dusk by the time I left the island. Here's a shot I took as I walk towards the subway station, the Upper East Side shining across the river.

It snowed again on the last Saturday of January when I walked in Central Park. The park carousel was closed for the winter season but it looked so charming when viewed from the Playmates Arch.

The ice carvings from the previous week's Ice Festival were still at the Bethesda Terrace area. A lot of visitors were admiring the ice sculptures, even Charley the Lhasa Apso had his picture taken with the angel.

By the time I reached the Bow Bridge, snow has already covered its walkway. I love this bridge, it looks beautiful no matter what angle.

From the Bow Bridge and Lake area, I took the pathway up the Cherry Hill towards the fountain area which is usually full of horse carriages, as this is one of their viewing spots in the park. This looks magical!

Now shall I walk or shall I ride? 

"Ride," Pleasure said 

"Walk," Joy replied.

On the last Sunday of the month I walked along The High Line. There were only a few park goers as the cold that day was so numbing but the park was looking peaceful and beautiful.

It was even glowing from the reflection of the setting sun!

And to top it all, I saw a marriage proposal right by the park. How sweet! And she said yes!

What a great way to end my weekend walks for the first month of the year.

For the rest of my pics, here are the albums on Flickr:

Central Park, January 2014

Night Views from Brooklyn Bridge Park in 2014 

Roosevelt Island, 01.19.14 

The High Line, 01.26.14

Early Morning at The High Line

Last month I was invited by the Friends of the High Line for an early morning photo shoot of the park. Our meet time was 5:30 am, an hour before sunrise. Manhattan in the early morning twilight looked beautiful.

The park was still closed to the public, it opens at 7 am so I and my fellow volunteer photographers had free rein of the place for over an hour.

At 18th Street near where the park curves at 10th Avenue is a billboard which is often used by the park to showcase works of different artists. For the month of September, the artwork on display was Waking by Gilbert & George.

For the High Line, Gilbert & George will present Waking (1984), an image populated by the young that represent the primal life forces at their most formative and explosive stages. Originally 36 feet long, the image shows the artists occupying the center of a symmetrical and intensely colored multi-figure composition. Around them is an assembled cast of youngsters. The artists – their faces transformed into masks by overlaid color – evoke a kind of inner awakening, perhaps the passage from boyhood to manhood, which the hierarchy of the three figures seems to suggest.

The billboard looked more colorful that morning framed by the early morning twilight and an empty parking lot, a rare sight in the city during the normal waking hours of the day.

The 10th Avenue Square is a great place to watch the morning light change. The figure on my pic below is one of my fellow volunteer photographers, trying to capture an empty 10th Avenue.

The Northern Spur Preserve looked awesome as the early morning light started to illuminate the area.

And the lights of the Chelsea Market Passage gave the nearby areas a soft purple glow.

It was nearly sunrise time when I passed by the Sundeck area, the reclining seats looked so inviting.

But I hurried back to the 10th Avenue Square and took this pic. At sunrise time, the city was glowing and some cars and cabs were already on the road.

Looking south past the overpass, I could see Lady Liberty bathed in the morning sunrise.

Walking further south at the park, the construction of the Whitney Museum of Art was going full swing in time for its 2015 opening.

Designed by architect Renzo Piano, the new building will include more than 50,000 square feet of indoor galleries and 13,000 square feet of outdoor exhibition space on a series of rooftops facing the High Line. An expansive gallery for temporary exhibitions will be approximately 18,000 square feet in area, making it the largest column-free museum gallery in New York City. Additional exhibition space includes a lobby gallery (accessible free of charge), two floors for the permanent collection, and a contemporary artists’ project space on the top floor. 

I then walked back north so I could cover the length of the park. The surrounding buildings may have blocked the view of the sunrise but its light was reflected everywhere, even on the Water Feature of the park.

It was still at least half an hour before opening time. Isn't it great to have a beautiful park all to yourself? Despite waking very early, it was great to be at the park to welcome the day.

And the High Line was looking gorgeous that September morning. It would only be just a matter of an hour or two before this stretch of the elevated park will be filled with people enjoying the day.

Pretty soon the joggers and early park goers arrived. Some make good use of the park benches for their exercises.

The trees in the Chelsea thicket had their branches forming an arch to pass through. It looked like an entrance to a magic place.

After getting past the tree arch, I saw El Anatsui's Broken Bridge II. The art work is on view only until November 4.

Made of recycled pressed tin and mirrors woven together, Broken Bridge II creates a stunning visual of wave-like patterns and folds, evoking traditional practices of tapestry weaving, while reflecting the surrounding landscape of the High Line. 

El Anatsui
Broken Bridge II

Walking further along past the Street Lawn and Seating Steps is this part of the park where the morning sun is reflected on the buildings with the grasses swaying in the wind.

The new buildings under construction can be seen from the Falcone Flyover. These buildings are part of the development at the Hudson Railyards.

Although not part of the High Line curated program, there are a lot of murals and art work around the park. One of the newer ones is Lady Luck by Jordan Betten.

This was my view looking at the park from the Wildflower Field, it was really a gorgeous morning.

I then walked back south to look for the Friends of the High Line staff so I could take my leave. By that time I have walked along the park for three hours, and the sun was already a little bit high up.

Before I left I stopped and sat on the bench near the 10th Avenue Square. This was my view, shielded by the trees and beautiful plant foliage. Guess this would be a great place to take a nap.

I have taken lots of pictures that day, of the park as well as its flowers. I like this pic most of all. It looked like this little flower was stretching its petals to welcome the beautiful day. 

Thank you to Friends of the High Line for giving us the opportunity to document the day from the morning twilight up to midmorning. The early wake-up call was worth it, I would gladly do it again .. but hopefully, not in winter time.

For the rest of my pics, here's the album on Flickr - Early Morning at the High Line

For a map of the High Line, here's the link.

For the High Line, Gilbert & George will present Waking (1984), an image populated by the young that represent the primal life forces at their most formative and explosive stages. Originally 36 feet long, the image shows the artists occupying the center of a symmetrical and intensely colored multi-figure composition. Around them is an assembled cast of youngsters. The artists – their faces transformed into masks by overlaid color – evoke a kind of inner awakening, perhaps the passage from boyhood to manhood, which the hierarchy of the three figures seems to suggest. - See more at: http://art.thehighline.org/project/gilbertandgeorge/#sthash.BlzU8uS1.dpuf

For the High Line, Gilbert & George will present Waking (1984), an image populated by the young that represent the primal life forces at their most formative and explosive stages. Originally 36 feet long, the image shows the artists occupying the center of a symmetrical and intensely colored multi-figure composition. Around them is an assembled cast of youngsters. The artists – their faces transformed into masks by overlaid color – evoke a kind of inner awakening, perhaps the passage from boyhood to manhood, which the hierarchy of the three figures seems to suggest. - See more at: http://art.thehighline.org/project/gilbertandgeorge/#sthash.BlzU8uS1.dpuf

For the High Line, Gilbert & George will present Waking (1984), an image populated by the young that represent the primal life forces at their most formative and explosive stages. Originally 36 feet long, the image shows the artists occupying the center of a symmetrical and intensely colored multi-figure composition. Around them is an assembled cast of youngsters. The artists – their faces transformed into masks by overlaid color – evoke a kind of inner awakening, perhaps the passage from boyhood to manhood, which the hierarchy of the three figures seems to suggest. - See more at: http://art.thehighline.org/project/gilbertandgeorge/#sthash.BlzU8uS1.dpuf